We are probably one of the last generations of Homo sapiens.” -Yuval Noah Harari

If anyone were to mistakenly think that the above quote references our species’ impending doom given the state of our planet, may we redirect and assure you that, in fact, it alludes to the biological extinction of our species as we know it through the inextricable and exponential growth of technology.

Adair Peck, Thomas Pomarico and Bruna Massadas are featured in a group exhibition with paintings, etchings and woodblock prints that by virtue of their choice of medium, alone, contradict the infiltration and trajectory of technology in their practices (at least as final products). This exhibition is a beautiful sayonara to Homo sapiens, as we knew them, through the eyes of artists’ living through their demise.

Women on the Beach

20 x 20 in. | Woodblock Print

City Bound, 1997

15 x 15 in. | Etching

BRUNA MASSADAS

Oblivious Rest | 2022 | 20 x 16 in. | Acrylic on Canvas

Photographer | 2022 | 36 x 24 in. | Oil on Canvas

Wrangle | 2022 | 74 x 51 in. | Oil on Canvas

MFA Sculptor | 2022 | 30 x 40 in. | Oil on Canvas

Golden Girl | 2022 | 20 x 16 in. | Acrylic on Canvas

THOMAS POMARICO

Window | 2022 | 16 x 20 in. | Acrylic on Canvas

Techno Boy | 2022 | 60 x 48 in. | Oil on Canvas

Red Lady | 2022 | 30 x 40 in. | Oil on Canvas

Adair peck

Commuters | 29 x 72 in. | Woodblock Print, Hand Painted

The Alcoholic |1996 | 56 x 32 in. | Woodblock Print, Hand Painted

The Bride |1995 | 51 x 32 in. | Woodblock Print, Hand Painted

Cocktail Hour | 57 x 33 in. | Woodblock Print, Hand Painted

Nancy’s Whiskey | 27 x 63 in. | Woodblock Print, Hand Painted

Rivalry

28 x 41 in. | Woodblock Print

Martha’s Vineyard, 1995

18 x 16 in. | Etching

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Anastasia Jermolaewa

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Catherine Courtenaye